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James
Morrison's
ORIGINAL
Big Band
Compositions


Various Levels



Instrumentation

One copy of each part

All available as
PDF downloads via
a link in an email

$30ea PDF
or
$60ea hard copy

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Conductor's Score
Alto Sax 1
Alto Sax 2
Tenor Sax 1
Tenor Sax 2
Baritone Sax


Trumpet 1
Trumpet 2
Trumpet 3
Trumpet 4
Trombone 1
Trombone 2

Trombone 3
Trombone 4

Piano
Bass
Guitar
Drum Kit
some have:
Aux. Percussion
Optional Flute
Optional Clarinet


TITLE
DESCRIPTION
Cat
No.
MP3
Highest
Trumpet
Note

EASE ON IN

Original composition
by James Morrison

Level 3½ - 4
 

Composed & Arranged by James for the 'Generations in Jazz' competition in May 2000. Funky feel.
WPM
6005
C above stave

ENCHANTED

Original composition
by James Morrison

Level 3½ - 4

Samba feel. Adlib solos for tenor sax & trumpet. Open drum solo. This was the "Division 1" piece for the Generations In Jazz 2001.
WPM
6008
D above stave

GARN

Original composition
by James Morrison

Level 5

This chart is a swinger with a difference; the horn section get a work out on their own and the drums should have fun with the coda! Solos can be as you see fit - only use the background figures for the last solo as they build into the shout chorus. Keeping good time will be really important in the unaccompanied section for the horns and watch the dynamics - be as soft and loud as you can. At the end of the day this is just a 12 bar blues but it should provide a challenge to play it tight and with a solid groove. By the way, the title is of course Aussie slang for "keep going".
WPM
6013
E above stave

GRAVY TRAIN

Original composition
by James Morrison

Level 3½

This is a classic medium swing Big Band chart.
It really cooks! Features saxophone soli.
This was the "Division 2" piece for the Generations In Jazz 2001.
WPM
6007
B flat above stave

LE BELLECLAIRE BLUES

Original composition
by James Morrison

Level 3½

by JAMES MORRISON from his 'SNAPPY DOO' CD. Easier version created from the the chart below.

Advanced version - see below.

WPM
6001
G above stave

LE BELLECLAIRE BLUES

Original composition
by James Morrison

Level 4½ - 5

ADVANCED. Exactly as heard on JAMES MORRISON'S 'SNAPPY DOO' Compact Disc.
WPM
6000
G above stave

ON THE EDGE

Original composition
by James Morrison

Level 5

Division 1 piece for 2006 Generations In Jazz competition. Up tempo and challenging - a "Heavy Metal Jazz" chart.
WPM
6014

RED'S THREADS

Original composition
by James Morrison

Level 4½ - 5

Composed & arranged by James for the 'Generations in Jazz' competition in May 2000. Fast flowing
'Be-Bop' lines with a tenor sax solo and a 'shout chorus'
WPM
6006
E flat above stave

SYDNEY BY NIGHT

Original composition
by James Morrison

Level 3½

Composed & arranged by James for the 'Generations in Jazz' competition 2002. From James' CD 'Postcards from Down Under'.  Funky chart with a lot of scope for the drummer to shine.
WPM
6010
B flat above stave

THIS MADNESS CALLED LOVE

Original composition
by James Morrison

Level 4

FEMALE VOCAL CHART

A great swingin' chart for your singer
C in staveVocal range

g below stave
WPM
6004
B above stave

UP LATE

Original composition
by James Morrison

Level 5

Written by James Morrison for the Generations in Jazz competition 2007. This has a funky “hip hop” feel that really relies on the rhythm section to have a great (phat) groove. Right from the first note it should be “pumping” and the drum fills in the intro can be as adventurous as you like – just be sure the band knows where the time is!

WPM
6015
 

ZOG'S JOG

Level 5+

NEW to PDF $30

Or $60 hard copy

Written by James Morrison for the Generations in Jazz competition 2008.

There is a great tradition in Be-Bop of taking the chords to well-known tunes and writing a new melody over them. Such classics as Anthropology, Ornithology, Confirmation and many others, all used the chord progressions of standards like ‘I’ve Got Rhythm’.

Following in that tradition I have loosely based ‘Zog’s Jog’ on the chords to Ray Noble’s ‘Cherokee’. It’s a great set of chords to improvise on and allows the soloist to really go some places.

In true Be-Bop style the melody is complex, fast and a real ‘chop-buster’, every section of the band will get a work out and there’s room for some solo histrionics. The important thing with this chart is to not only make it through all the fast lines – but more importantly, to swing whilst playing so fast. Of course the quaver lines will be played straight at this tempo but the rhythm section must still have a great groove. There’s not too much subtlety here – Be-Bop big band is the ‘heavy-metal’ of jazz, so don’t treat this too gently – just keep it tight and swing like crazy!

 
WPM
6016
   

See also Ed Wilson's ORIGINALS

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